At NGMA, Bangalore
While Kinkar da’s paintings would include stout, heroic and dominating women, while that of Chughtai’s were delicate with elongated arms, fingers, eyes and body. They are based on romantic fantasies with a subtle yet bright color play with human figures similar to those of the Kangra paintings (as seen in ‘Radhika’ and ‘dream’). Being an artist of the 20th century from Pakistan, it is fascinating how he seems interested in subjects from Hindu Mythology.
On the other hand, Kinkar da recreated what he saw. He perceived women to be very commanding, purely visible in his works (‘Homeward taking cow and a calf’, ‘Harvester’) .In bold, dynamic and restless strokes, he would mostly portray his own observations from his family and surroundings.
The exhibition
Its feels wonderful when everyone in your surroundings has something to teach you and is being able to relate to you in some manner.
The Octopus and her daughter
Far beyond the coniferous trees
ruffling around, with the gentle breeze
there lied a deep blue sea
as neat as neat could be
‘coz of a creature with great expertise…
ruffling around, with the gentle breeze
there lied a deep blue sea
as neat as neat could be
‘coz of a creature with great expertise…